––– MIXEDMARKS –––
[works on paper, cloth, etc.]

–––
fence, 2024
~1 X 12 X 18in. wool, stainless steel
photography by Trey Thomas.






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dentist, 2023
1 X 11 X 14 in. synthetic polymers on found cellulose
photography by Trey Thomas.








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games01, 2019
23 X 18 inches: ink, polymers, silk; on paper
(Private Collection)
The first of an ongoing series, games01 is drawn from a still of horse and rider mid-vault while competing in mounted games.
These competitions value speed and skill as horse and rider work to run through a series of obstacles and tasks.
Stills from these competitions illuminate the focused intent of both beings as limbs and leather straps splay out, disorienting and defying gravity.
'games' offers insight to balance between control and chaos, predator and prey.















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beach hairs, 2019
22 X 36 inches: cotton, ink, polymers, silk: on paper
Gradients are implied through binary patterning used for digital weaving, across a base digitally printed on cotton sheeting.
Derived from structures made to be woven digitally, the print on these threads is of digitally-simulated threads.
The image at the root of these forms is a self portrait in movement, presented from and inverted perspective and distorted through the process of filtering into binary data.















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trust me, 2018
14 X 14 X 22 inches, silk, steel
‘Trust me, I’m telling you stories' says Jeanette Winterson.
MRI scan digitaly printed on silk with abstracted text regarding power imbalances, stitched to reflect physiological impact.

EXHIBITIONS: 2019 Vignette Art Fair; The Women’s Museum, Dallas, TX; curated by Leslie Moody Castro COLLECTIONS: Private









–––
testing, 2018
18 X 23 in. ink, steel, cotton; on paper








––– CAPSULE COLLECTIONS –––

See: CONTAINED ARCHIVE


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Select objects and wall-based works, also see CONTAINED ARCHIVE